Of course, when I saw it, a tear-jerker was quite cathartic. But it really was still very good.
|     Tomorrow Never Dies  |        61  |        Choosing a media mogul as a megalomaniacal mastermind makes   sense.  We have Rupert Murdoch, after   all.  This perhaps was the most   believable technological threat in the pre-Daniel Craig Bond movies.  It’s fun, Bond is Bond.  Not particularly memorable , but good for   diversion.  |   
|     Great Escape (The)  |        83  |        It’s amazing I hadn’t seen this before, but I sure am glad it was on   PBS when I had time to watch it.  Some   of the third act was surprising, but then I learned it was based on a true   story, and that made the whole thing even better.   I really liked a young Richard   Attenborough.  |   
|     World Is Not Enough (The)  |        53  |        I think this is the weakest of the Brosnan Bond films.  Confusing story.  Sophie Marceau is a worthy Bond girl, but   Denise Richards distracted with a meager performance.  At least “M” got involved, but it didn’t   really matter.  |   
|     Waitress  |        72  |        There are some truths, some lives, some realities, that can be best   described through drama.  This film was   brimming with them.  Through the pies   invented, baked and served by Russell’s character, we got a view of the   desperation, sadness, and trampled hopes that filled her life.  Through the people who loved her, we saw   her value and tried with them to figure out she might get the life she   deserved.  Good writing, good   performances, good movie  |   
|     Love in the Time of Cholera  |        39  |        I suspect this was a good   adaptation of a story other people would like quite a bit – it was an Oprah   Book Club book, after all.  Unfortunately, the story was not very   interesting and the kind of consuming love represented in the hero looked more   like obsession and craziness to me.  I   imagine it’s recommendable to some class of viewer – I just don’t know who.  |   
|     Happening (The)  |        52  |        Worth seeing once; M. Night   Shyamalan knows how to film suspense.    But the story hinged on a sci-fi concept that could have been told   much more effectively.  “We’ll never   really know” can be spooky, but here, it wasn’t.  |   
|     Noise  |        58  |        What if something that   happens every day drove you to distraction?    That’s the problem Tim Robbins’ character has with noise.  Car alarms in particular.  Not good if one lives in   |   
|     Wall E  |        81  |        Wonderfully surprising story.  Disney takes the “Last Man on Earth” story   from science fiction and produces a fun, beautiful film which builds in   interest and drama.  Not just for kids,   but certainly appropriate for everyone.  |   
|     Producers (The)  |        70  |        Quite funny, with songs to make you laugh, and performances that are   just right.  At times Broderick sounded   just like Gene Wilder, but for the most part, he was his own Leo Bloom.  Uma was a knockout!  |   
|     Sisterhood of the Travelling Pants (The)  |        87  |        Excellent!  Touching.  Real; coming of age in the 21st   century, and the power of friendship.    Each of the young actresses demonstrated range; made me believe and   made me care.  The stories fit together   without being TV-drama parallels.    Easily one of the best movies I’ve seen recently.  Worth owning.  |   
No comments:
Post a Comment